Edward Juler speaking at the event |
This title is the first detailed critical history of British Modernist sculpture’s interaction with modern biology. Discussing the significant influence of biologists and scientific philosophers such as D’Arcy Wentworth Thompson, Julian Huxley, J. S. Haldane and Alfred North Whitehead on interwar Modernist practice, this book provides radical new interpretations of the work of key British Modernist artists and critics, including Henry Moore, Barbara Hepworth, Paul Nash and Herbert Read.
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